Eno / Gary Hustwit
“The groundbreaking generative documentary about visionary musician and artist Brian Eno, a film that’s different every time it’s shown.”
Custom player for screenings designed by Teenage Engineering.
“The groundbreaking generative documentary about visionary musician and artist Brian Eno, a film that’s different every time it’s shown.”
Custom player for screenings designed by Teenage Engineering.
“An autonomous AI engine that arranges and edits film in continuous real time.”
Let’s Enhance / Duncan Robson
Apocryphal enhancement technologies in crime dramas.
No Signal (and other cellular drama) / Rich Juzwiak
Bad cellular reception as plot-device in horror-movies.
The Clock (excerpts) / Christian Marclay
24 hours of movie scenes with and about time in chronological order.
Reach, Grasp, Move, Position, Apply Force / Kajsa Dahlberg
The optimization of movements in labour and the role of film.
Twelve Tales Told
“A dozen logos for Hollywood production companies play before you as they would precede a normal Hollywood production; appropriately in 3D if watching digitally, in 2D on 35mm—and self-aggrandizing in any format. Only, each logo sequence, some animated with glossy grandeur (Disney, Paramount), some more restrained (Regency, Warner Bros.), is stutteringly interwoven image by image into the others, beginning with the longest and ending with the shortest. The resulting visual effect is of a sustained anti-climax of bombast: the fanfare for the main attraction is drawn out and aggravated to become the main attraction. Since new production logos are progressively feathered into the mix, the manufactured desired climax of full logo revelation—say, of Disney’s beloved castle and fireworks—is continually delayed by other interfering companies”
Vertigo Rush
“VERTIGO RUSH is a technically extravagant experiment consisting of a series of dolly zooms: a succession of camera movements captured in individual images of forward and backward motion, while simultaneously zooming in the opposite direction. Accelerating this pendulum movement, at first gently and later drastically, intensifies the optical illusion of the space shifting together—and smoothly hands it over to the abstract, transferred to a “dissolving” image.”
And other of his films:
http://johannlurf.net/en/
“Scream sits quietly in your computer’s system tray and automatically springs into action when it detects a scream. Scream disturbs your Windows interface. […] When your throat gets tired, Scream can double as an unusual music visualizer – or as a new approach to desktop filmmaking. Use Scream to start a meme. Or simply as a random act of deprogramming.”