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https://www.kawara.app
https://www.cyclemarks.com

“A collection of twentyfour variations on the theme ‘clock’. […] Each of these twentyfour clocks shows time in a different form. The result is a sequence of numbers, letters or punctuation marks animated in different ways.”

https://24times.gysin-vanetti.com/

“Screen Time is a community clock connecting strangers through their mobile backgrounds. Participants are invited to take part by making a screenshot of their mobile device lock screen and submitting it to the allocated time slot. The submitted images are then compiled and presented, each being displayed for the single minute at which they were taken. The outcome is a clock that each minute reveals a glimpse into someone else’s life.”

http://www.helmutsmits.nl/work/screen-time
http://screentimeclock.net

And other works on sorting, time and measurement:
Self Carrier Shelf
All the times
Measuring in Years
Precautionary Measures
23 Holes

“An autonomous AI engine that arranges and edits film in continuous real time.”

https://rndr.studio/projects/reflector/

“A software application that records performance time of written text and vehicles it as additional information: it saves and reproduces every single action during the composition of a text, so that an additional dimension of emphasis in written communication can be circulated.”

http://aaaan.net/jaromil-tbt-time-based-text/
http://rg42.org/wiki/tbt (example)

Let’s Enhance / Duncan Robson
Apocryphal enhancement technologies in crime dramas.

No Signal (and other cellular drama) / Rich Juzwiak
Bad cellular reception as plot-device in horror-movies.

The Clock (excerpts) / Christian Marclay
24 hours of movie scenes with and about time in chronological order.

Reach, Grasp, Move, Position, Apply Force / Kajsa Dahlberg
The optimization of movements in labour and the role of film.

Palm Dial

“Inspired by different technics (dating back from XVIth century until our contemporary “survivalists”) the three gloves of Palm Dial transform the hand of the user in tools to measure the passing of time, creating a direct link between the position of the body and the course of the sun.”

O&I

“0&I is a computer software, freely downloadable and installable by the user-viewer on his computer.

This software creates a discreet but permanent modification on the way the computer works. The software changes the blinkrate of the cursor in any program in which the user can type data (Micro- soft Word, for exemple). The rate is slowed down to the same number an adult body breathes per minute.

The cursor is considered as one of the precise entry point between sensible and virtual, between reality and data. By slowing down a digital rhythm and adapting it to a natural rhythm the artist questions the closest and closest relation between « natural » and « digital » occuring nowadays.”

“But what would it mean if we took a different view of what visualization could do? What would it mean if a visualization was designed to be difficult and abstract? If it was intended to send us back to the original source of the data in order to make sense of the image we encountered? What if the goal of visualization was to allow each person, individually, to interpret the image for herself?

This was the aim of Elizabeth Palmer Peabody, the nineteenth-century writer, editor, and educator. Inspired by a system developed in Poland earlier in the century, she devised a method of translating historical events into shape and color. In her textbook, she explained her desire to appeal to the “mind’s eye” so that each student could create a personal account of the past.”

http://www.shapeofhistory.net

A collection of more than 11,000 objects (of 700,000 total) found during excavations in the dried river bed of the Amstel. Photographed and sorted by date of origin (going back until 124,000 BC).

https://belowthesurface.amsterdam/

“The prominent apps and sites often share a common element today; the feed. It looks like Facebook’s timeline, or Buzzfeed’s homepage—an endlessly updating stream of content, designed to keep you returning, and spending more time.

You frequently hear of us feeling burnt out by this “drinking from a firehose.” Of course, these products know that, and are increasingly implementing steps to filter what you see and what you don’t based in part on what keeps you returning—a perpetually shifting mix, resulting in what has become known as the filter bubble, FOMO, and other things.

Hardly Everything attempts to circumnavigate these corporate feeds by supplying you with an anti-feed.”

https://hello.hardlyeverything.com

http://a-line-moving-across-a-window-once-every-year.com

“It is an apparatus, that sorts pebbles from a specific river by their geologic age.”

http://www.thisiscolossal.com/
http://www.prokopbartonicek.com/

http://datavis.ca/milestones/

“Entropy is a programming language about giving up control. All data decays as the program runs: each value alters slightly every time it’s used, becoming less precise.”

http://danieltemkin.com/Entropy

Also “New Languages”
http://danieltemkin.com/Esolangs/

And similar projects.

“1. These rulers are not timelines themselves.
2. These rulers are timeline makers.”

http://cevdeterek.com/

Spaces created by stitched-together video materials from different places. Other works by the artist also experiment with space-time composites.

https://vimeo.com/119904435
http://www.annaschwartzgallery.com/

Interactive tool/piece that visualizes editing processes on text archives (Wikipedia articles in this case).

projects.kraeutli.com/
www.icaphila.org/

“This project investigates the idea of using computation to “use up” a piece of technology, in this case a digital camera. Using custom-written software (and a very long period of time), every possible photograph is generated, one at a time and in numerical order.”

See also his other projects exploring ideas of technical images, algorithms, abstraction, and computational vision.

http://www.jeffreythompson.org/

Deals with temporal orders, calendars and subjective counting systems in her graphical works.

https://www.diaart.org/

Generative compositing technique. Different moments in time composed in a video grid.

http://www.creativeapplications.net/
http://vimeo.com/26938422

Portraits composed out of layers of photographs that where taken over a period of three minutes.

http://www.todayandtomorrow.net/