Keyword: Standards & Formats

Resources

The Crossing Machine / Graziana Dammacco & Davide Giorgetta

„The Crossing Machine is a mind tool conceived to stimulate the creation of new publishing artifacts. The main purpose of the project is to investigate technologies and publishing from a post-digital perspective and to propose new methodologies for producing self-reflective works.“

http://www.thecrossingmachine.tk

Unfold

„Unfold is an online publishing and archiving platform based upon the structure of the digital folder.“

http://unfold.thevolumeproject.com

Guy Königstein

http://www.guykoenigstein.com/inaccurate_rulers.html

http://www.guykoenigstein.com/excavations.html

un arbre à calculer / dcfvg

http://calc.dcfvg.com
More projects http://dcfvg.com

transCoder / Zach Blas

„Queer Programming Anti-Language“

http://users.design.ucla.edu/~zblas/

schema.org

„Schema.org is a collaborative, community activity with a mission to create, maintain, and promote schemas for structured data on the Internet, on web pages, in email messages, and beyond.“

http://schema.org

Square vs. variably shaped pixels / Russell Kirsch

http://www.wired.com/2010/06/smoothing-square-pixels/
Russell Kirsch talks about the variable shaped pixel

Definitions / Bryan Ma

„It utilizes the ability of computers to comprehend semantic meaning via „common-sense networks“ to poetically represent the socio-cultural effects of natural language processing.“

http://www.bryan-ma.com/

Forensics Wiki

Wiki on digital forensics (also known as computer forensics).

http://forensicswiki.org

Early Office Museum

http://www.earlyofficemuseum.com

DISimages / DIS

Stock images by artists.

http://disimages.com

Entropy / Daniel Temkin

„Entropy is a programming language about giving up control. All data decays as the program runs: each value alters slightly every time it’s used, becoming less precise.“

http://danieltemkin.com/Entropy

Also „New Languages“
http://danieltemkin.com/Esolangs/

Shiv Integer

Bot composes collages from virtual 3D objects.

https://www.thingiverse.com/shivinteger/designs/

GUI Rube Goldberg / Sebastian Ly Serena

http://sebastianlyserena.dk

Lost Formats / Experimental Jetset

http://www.experimentaljetset.nl/
http://lostformats.tumblr.com

The Ruler Project / Jiří Skála

„Rulers of altered length were distributed to professionals.“

http://www.vvork.com/

allRGB

„The objective of allRGB is simple: To create images with one pixel for every RGB color (16777216); not one color missing, and not one color twice.“

http://allrgb.com

Every possible photograph / Jeff Thompson

„This project investigates the idea of using computation to “use up” a piece of technology, in this case a digital camera. Using custom-written software (and a very long period of time), every possible photograph is generated, one at a time and in numerical order.“

See also his other projects exploring ideas of technical images, algorithms, abstraction, and computational vision.

http://www.jeffreythompson.org/

Ignacio Uriarte

Uses materials and visual language out of the context of the office (printer, paper, pens, excel) for reduced works, playing with order, repetition, patience.

http://www.ignaciouriarte.com

Meters / Patrick Kochlick, Monika Hoinkis

„We believe in the joy of metering. It is enlightening and highly reassuring, also fun.“

http://senorpako.de/meters/

ExtraFile

„New image file formats for artistic purpose.“

http://extrafile.org

Hanne Darboven

Deals with temporal orders, calendars and subjective counting systems in her graphical works.

http://www.diacenter.org/

OpenStructures

„…explores the possibility of a modular construction model where everyone designs for everyone on the basis of one shared geometrical grid.“

The need of a rigidly defined, universal, modular order for enabling collaborative and open source development.

http://www.openstructures.net/

Three Standard Stoppages / Marcel Duchamp

It is „a joke about the meter,“ Duchamp glibly noted about this piece, but his premise for it reads like a theorem: „If a straight horizontal thread one meter long falls from a height of one meter onto a horizontal plane twisting as it pleases[it] creates a new image of the unit of length.“ Duchamp dropped three threads one meter long from the height of one meter onto three stretched canvases. The threads were then adhered to the canvases to preserve the random curves they assumed upon landing. The canvases were cut along the threads‘ profiles, creating a template of their curves creating new units of measure that retain the length of the meter but undermine its rational basis.

http://www.moma.org/

Google / Felix Heyes, Ben West

„This book contains the first Google image result for every word in the dictionary.“

http://www.creativeapplications.net/
http://felixheyes.com/

Common Sense Computing / ConceptNet

MIT project to develop a collection (a „hypergraph“) of „Common Sense Knowledge“. „To improve computers‘ understanding of the world that people live in and talk about, we need to provide them with usable knowledge about the basic relationships between things that nearly every person knows.“ The data set is free to download and explorable online.

http://csc.media.mit.edu/
http://conceptnet5.media.mit.edu/

Nubeology / Gerhard Lang


Lang explores in historical reference to Goethe and Constable cloud phenomena as artistic commentary and the question of presentability. For example his „idealized“ phantom images of clouds he did with help of the „identikit machine“ of the BKA or his „Cloud Walks“.

http://www.gerhardlang.com

Barcode Interpreter / Lauran Schijvens

Translates barcodes in output signals on an array of power sockets, where you can connect all kinds of electronical devices.

http://www.v2.nl/

Prototype theory / Labov Experiment

Labov investigated the borders of words and concepts and the working of categorization in everyday communication. In a study drawings of „containers“ with different formal characteristics where shown to participants. They had to assign them with either „cup“, „bowl“ or „vase“. The decision gradually changed when they where asked to imagine the object filled with flowers or mashed potatoes for example. The categorization seems to be context dependent and fuzzy. Prototype theory in general states that we imagine categories of things around a strong member or representative of the category. It often refers to Wittgenstein’s concept of „Familienähnlichkeit“ (family likeness).

http://fak1-alt.kgw.tu-berlin.de/
http://pyersqr.org/

Errors in production / Heike Bollig

Collection of products exhibiting errors in the production process.

http://www.errors-in-production.info

The Free Universal Construction Kit / FatLab

„A matrix of nearly 80 adapter bricks that enable complete interoperability between ten popular children’s construction toys. By allowing any piece to join to any other, the Kit encourages totally new forms of intercourse between otherwise closed systems—enabling radically hybrid constructive play, the creation of previously impossible designs.“

http://fffff.at/

Nuancen der Unwahrheit / Tina Michl

Graduation project about cartographic projection methods.

http://www.fbg.h-da.de/projekte/

„eine gewisse chinesische Enzyklopädie“ / Jorge Luis Borges

„die Tiere, die sich wie folgt gruppieren:
a) Tiere, die dem Kaiser gehören,
b) einbalsamierte Tiere,
c) gezähmte,
d) Milchschweine,
e) Sirenen,
f) Fabeltiere,
g) herrenlose Hunde,
h) in diese Gruppierung gehörige,
i) die sich wie Tolle gebärden,
k) die mit einem ganz feinen Pinsel aus Kamelhaar gezeichnet sind,
l) und so weiter,
m) die den Wasserkrug zerbrochen haben,
n) die von weitem wie Fliegen aussehen“

Aus „Die analytische Sprache des John Wilkins“, 1966
Zitiert im Vorwort zu Foucaults „Die Ordnung der Dinge“, 1974

Radical cartography

„Something about how maps can reveal everyday practices of power.“ Some examples of critical projections and mapping techniques.

http://www.radicalcartography.net/

Open Source Publishing

„OSP (Open Source Publishing) is a graphic design collective that uses only Free, Libre and Open Source Software. Closely affiliated with the Brussels based foundation for art and media Constant, OSP aims to test the possibilities and realities of doing design, illustration, cartography and typography using a range of F/LOSS tools.
Since 2006, we investigate the potential of F/LOSS in a professional design environment. We do not expect to find (or offer!) the same experience as the ones we are used to. In fact, we are interested in experimenting with everything that shows up in the cracks.“

http://ospublish.constantvzw.org/

Interview
http://www.spc.org/fuller/interviews/open-source-publishing-interview-with-femke-snelting/

Objects for Arithmomaniacs / Julijonas Urbonas

http://www.julijonasurbonas.lt/p/objects-for-arithmomaniacs/